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Too Fat, Too Slutty, Too Loud

The Rise and Reign of the Unruly Woman

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1 of 1 copy available
1 of 1 copy available
**One of NPR’s Best Books of 2017** 
“Petersen's gloriously bumptious, brash ode to nonconforming women suits the needs of this dark moment. Her careful examination of how we eviscerate the women who confound or threaten is crucial reading if we are ever to be better.”—Rebecca Traister, New York Times bestselling author of All the Single Ladies
From celebrity gossip expert and BuzzFeed culture writer Anne Helen Petersen comes an accessible, analytical look at how female celebrities are pushing the boundaries of what it means to be an “acceptable” woman. 
 
You know the type: the woman who won’t shut up, who’s too brazen, too opinionated—too much. She’s the unruly woman, and she embodies one of the most provocative and powerful forms of womanhood today. In Too Fat, Too Slutty, Too Loud, Anne Helen Petersen uses the lens of “unruliness” to explore the ascension of powerhouses like Serena Williams, Hillary Clinton, Nicki Minaj, and Kim Kardashian, exploring why the public loves to love (and hate) these controversial figures. With its brisk, incisive analysis, Too Fat, Too Slutty, Too Loud is a conversation-starting book on what makes and breaks celebrity today.
“Must-read list.”Entertainment Weekly
Named one of Cosmopolitan’s “Books You Won't Be Able to Put Down This Summer” 
Selected as one of Amazon's “Best Books of the Month”
A Refinery29 Editors' Pick
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    • Kirkus

      April 15, 2017
      A BuzzFeed culture writer examines how some high-profile women defy cultural stereotypes about femininity.Donald Trump's recent election as president marked "the beginning of a backlash [against women] that has been quietly brewing for years. Petersen (Scandals of Classic Hollywood, 2014) offers thought-provoking profiles of controversial women who "question, interrogate or otherwise challenge the status quo." She opens with tennis star Serena Williams, who defied the sport that made her famous not only by being black, but also by "her body...her personality, her resilience and her fortitude." While winning championships and lucrative endorsements, Williams has also had to fight against tennis' "double standard of decorum" that gives more room to male players to display their anger on the court than it does women. Like Williams, perennial rebel Madonna is also known for her outspokenness and daring. But as she approaches her 60th birthday, ageism has become an issue. Rather than accede to cultural norms and gradually withdraw from public life, however, "Oldanna" dares to make the statement that an aging female body can still be "sexual, powerful and visible," despite the fact she built her career on celebrating youth and beauty. Among the most problematic of all the women Petersen examines is Caitlyn Jenner. In her pre-transition life as the ultra-masculine Bruce Jenner, she was the father of a famous reality TV family. Since her much-heralded coming out, she has adopted a culturally palatable mode of femininity, which she has coupled with a desire to deepen her understanding of gender nonconformity. But as the author points out, "Jenner's openness" to such explorations has come at a cost, including low ratings for and the eventual cancellation of her reality TV show. Through incisive analysis of the ways in which contemporary society polices femininity, Petersen reveals the fraught relationship between women and celebrity. The author also profiles Melissa McCarthy, Hillary Clinton, and Lena Dunham, among others. A sharp, compelling collection of social and cultural criticism.

      COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      June 1, 2017

      Media studies scholar Petersen (BuzzFeed News) offers a trenchant and intersectional analysis of the celebrity narratives we create around famous women who, in some way, defy the cultural scripts of classed and raced femininity. Across ten thematic chapters, Petersen considers what it means to be too strong (Serena Williams), too fat (Melissa McCarthy), too gross (Abbi Jacobsen and Ilana Glazer), too slutty (Nicki Minaj), too old (Madonna), too pregnant (Kim Kardashian), too shrill (Hillary Clinton), too queer (Caitlyn Jenner), too loud (Jennifer Weiner), and too naked (Lena Dunham). Each chapter interrogates the sexism and other structural biases shaping media narratives around high-profile women and considers how we collectively punish those who are judged defiantly ungovernable. Throughout, Petersen also considers the limits of personal unruliness. For example, Broad City (Jacobsen and Glazer) celebrates a particular twentysomething freedom that may only come with privilege; Madonna's insistence on her own continued sexual potency has done little to combat systemic ageism. VERDICT This work should be considered a post-2016 election sequel to Sady Doyle's Trainwreck. It will be appreciated by anyone seeking to understand the vicious social judgement that women--particularly high-profile, successful women--continue to face in our era.--Anna J. Clutterbuck-Cook, Massachusetts Historical Soc.

      Copyright 2017 Library Journal, LLC Used with permission.

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